Lost Laurel TV: Main Street

By now, you’ve heard me talk about an exciting opportunity I was recently approached about—hosting a Lost Laurel TV show for the City of Laurel’s newly revamped Laurel TV. For the pilot episode, we focused on historic Main Street, and tried to cover the entire span block by block.

It’s highlighted by interviews with Laurel Historical Society Boardmember Jhanna Levin, who discusses the history of the Laurel Museum; Marvin Rogers, President of the Laurel Mill Playhouse; historian and Laurel Leader columnist Kevin Leonard, who tells the story of the 1911 robbery of the Citizens National Bank; and Jim Cross of the Laurel Board of Trade, who recalls the early history of the Main Street Festival.

My job is to introduce the show, and then mercifully tell the majority of the stories through historic photos and voiceovers.

Now, when I say “my job,” I want to make sure you understand that this is all entirely voluntary for me. I have no experience as a TV guy, nor am I a City of Laurel employee. In fact, I’m not even a resident—and it’s been quite a logistical challenge volunteering the time to produce a show about Laurel’s history when I live in Northern Virginia. But I’ve been willing to give it a shot, because I enjoy sharing the material.

And with Laurel TV being a completely rebooted venture for the city, there will understandably be a few growing pains on their end, too.

That being said, we shot the Main Street episode in September, and it has been airing on Laurel TV (Comcast channel 71 and Verizon FiOS channel 12); also streaming on their website every Sunday morning at 11AM. I just received a copy of it on DVD, which I’d hoped would correct an audio glitch at about the 10:18 mark. Unfortunately, it didn’t, but I’m going to upload it anyway. (As I mentioned, growing pains.)

The plan is to air a new episode every month, and we’ve got a special Halloween show coming up next that I’m really excited about—that’s already going to be airing next Sunday, October 26th. I’ll be archiving each episode and posting them here on the blog, as well.

So, without further ado, here’s the very first episode of Lost Laurel, the TV show. Hope you enjoy it!

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Lost Laurel Trivia Night: Nov 8th

Looking for something fun to do on a Saturday night about a month from now?

If you’re in the Laurel area, join me at the historic Tastee Diner on Rt. 1 near Main Street for Lost Laurel Trivia Night, hosted by the Laurel Historical Society!

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This will be our second Trivia Night, having had a blast at Nuzback’s for the inaugural event back in May. Hosting these at locations that have served Laurel for decades makes them all the more fun, and it’s a great way to support local businesses.

No RSVP is needed, and you can create your own team or join one on the fly. The format is simple and straightforward—we read from a list of questions in different categories, all related to Laurel history (the questions are also projected on the wall, in case you miss any) and someone from your team writes down your answers. We may have a speed round, an “identify the logo” round, or some other twists; and there will be prizes for the winners!

The cost to play is $5 for non-members of the Laurel Historical Society, and $3 for members. All proceeds go to the Laurel Museum. The Tastee Diner has a substantial menu to order from, (the crab cake sandwich is one of my favorites!) and will be offering drink specials that night as well.

We’ll be providing all the paper, pencils and everything you’ll need. You just show up with your appetite, and your Lost Laurel trivia knowledge!

Lost Laurel Trivia Night
Saturday, November 8th
7:00 PM
Tastee Diner
118 Washington Blvd.
For more information, visit laurelhistoricalsociety.org or email director@laurelhistoricalsociety.org

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Laurel TV update

A big thanks to Tyler Baldwin of Laurel TV for spending several hours this morning traversing the length of Main Street with me, filming our pilot episode of Lost Laurel. It’s going to be a monthly half-hour documentary, featuring “then & now” photos, as well as interviews covering a range of popular topics from the Lost Laurel files. Naturally, we’re starting with Main Street.

I still have voiceovers to record, and they’ll have their work cut out for them editing it all together next week… (as you’ll see, I’m much more comfortable in front of a computer than a camera). But what a fun way to showcase the town’s retail history, and invite people to look at their surroundings in a historical light. Fingers crossed that all goes well and everyone enjoys it.

I’ll let you know when it’s finished and scheduled to air on Laurel TV, and will post a YouTube link here as well.

500-block-mainstreet

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Lost Laurel Photo Contest!

1952 LAUREL NEWS AGENCY-LLBOOK

Want to win a free copy of Lost Laurel, the book?
Between now and November 30th, post a photo on the Lost Laurel Facebook page that creatively incorporates the Lost Laurel book. How you do that is entirely up to you, but have fun with it!
  • Perhaps it’s a selfie with your book somewhere in Laurel…
  • Or pose the book on its own in a legendary Laurel location…
  • Or surround it with vintage Laurel artifacts from your collection…
  • Or you can even use a little Photoshop magic like I did to send the book back in time. (See? it would’ve been right at home at Keller’s Laurel News Agency on Main Street in 1952!)

Enter as many as you like, just remember to use the hashtag #LostLaurelBook so your photos will be searchable on Facebook. (Or if you don’t have Facebook, you can email them to richard_friend@mac.com). I’ll select a winner on December 1st, and will mail you a free, signed copy of Lost Laurel, the book. It’ll make an awesome Christmas gift. :)

What’s that? You don’t already have the book? You can still get one at the Laurel Museum, or through their website—then get creative with your photo skills before 11/30 and win an extra copy!

Good luck, and I look forward to seeing what you come up with!
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Kroop’s Boots Needs Your Help

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Not every business from Laurel’s past has disappeared. In fact, there are a precious few that still maintain their original charm and qualities—none more so than A.M. Kroop and Sons, whose business on C Street is like a veritable time machine.

The legendary shoemakers specialize in custom boots, made with the same meticulous 125-step process the family has used for over a century. They’ve long been a favorite among jockeys and horse trainers around the world. In fact, famed jockey George Woolf was wearing Kroop’s boots when he rode Seabiscuit to victory at Pimlico in 1938. And when Universal Pictures’ Seabiscuit was made in 2003, the filmmakers hired them for authenticity. The shop also appears in several of author Dick Francis‘ mystery novels.

It’s also the only place where you can see just how tiny Willie Shoemaker‘s (the aptly named jockey for this particular story) feet were. This was the actual mold Kroop’s used in creating his footwear.

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I bought my first pair of Kroop’s boots this weekend, and to say that they’re amazing is an understatement. (As would saying that they’re bigger than Willie Shoemaker’s).

If, like me, you’ve never had shoes custom made to fit your feet, you’re in for a wonderful surprise. But it’s not just the best pair of shoes you’ll ever own—it’s the experience of having them made by a genuine master craftswoman. That’s Randy Kroop.

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It takes several weeks for Randy to create your shoes from scratch, old-world style. That’s something that many people may not have the patience for, unless they’ve seen first-hand just how these unique shoes are made. If you haven’t watched the video above, now is the perfect time to check it out. It’s a fantastic documentary of the business by Kyle Anderson, Adam DeLuca, and Caz Rubacky, and really captures the essence of the shop in less than 10 minutes.

You already know that Randy and her very small, specialized staff make each shoe by hand. But what you probably didn’t know is that they still utilize original equipment from the 1930s. The shop is practically an industrial museum in terms of the machines. And that has raised a potentially critical challenge—finding someone capable of repairing and maintaining these antique machines is almost becoming an impossibility.

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Making shoes the old fashioned way is literally a dying art form, as the people who built these wonderful machines have long since passed on. Occasionally, Randy can find someone who’s able to “make adjustments” to keep the proverbial wheels turning, but it’s becoming increasingly difficult. And replacing them with more modern equipment would be too expensive; not to mention, contrary to everything Kroop’s stands for.

There was some concern that Kroop’s might close when the new C Street Flats development began construction just behind them. But the bigger threat actually seems to be the keeping the machinery itself running smoothly.

Perhaps you or someone you know has experience repairing vintage machines. Not necessarily these specific  appliances, but maybe you’re just one of those people who can fix anything—the kind who hasn’t had to replace their vacuum cleaner since 1955, and who keeps historic cars looking showroom sweet. Maybe you’d be able to take a look at the machines and let Randy know if there’s something you can do or someone you can recommend. To date, the closest contact she’s found is located in Pittsburgh—surely we can find someone closer.

If so, please get in touch with Randy Kroop and see if you might be able to help. Anything we can do to preserve this Laurel institution will be worthwhile.

kroops-collage

For more information:

A.M. Kroop and Sons, Inc.
26 C Street
Laurel, MD 20707

(301) 725-1535

kroopboots.com

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Stefanie Watson Case: Indictment

Somewhere, I’d like to think that Stefanie Watson is looking down on us, smiling at the latest news—news that I first heard today from her cousin, Christy, who has been waiting 32 years for justice.

Two years have already passed since I first wrote about her murder, marking the 30th anniversary of a Laurel cold case that had somehow received next to no press throughout the decades. Then, last summer, the breakthrough finally came: Prince George’s County cold case detectives took the initiative to send DNA from the seat of Stefanie’s 1981 Chevette for analysis (the complete, blood-soaked chair had been kept in evidence all this time). Blood on the back unequivocally matched that of an inmate—John Ernest Walsh—who’s been incarcerated since 1989.

Walsh, who had been incomprehensibly released from Jessup’s now-defunct Patuxent Institution—despite having served only 8 years of a 72-year sentence for an unrelated kidnapping, rape, and attempted murder—committed this horrific crime during his brief period of freedom, before violating his parole in 1989 and returning to jail. He’s been a guest of Eastern Correctional Institution for the past 25 years; but until last summer, the thought of ever facing charges in Stefanie Watson’s murder had probably never crossed his mind.

Last June, Prince George’s County Police announced that a warrant was filed against Walsh. And today, after taking nearly 15 months to bolster their case, they announced the official indictment.

We’re also finally getting a chance to see what Walsh looked like around the time of his fateful encounter with Stefanie.

john-ernest-walsh-1970s-mugs

Nope. Not much improvement.

So, the next step will be the actual trial—where John Ernest Walsh will finally answer for the murder of Stefanie Watson during that unforgettable summer of 1982.

Laurel hasn’t forgotten Stefanie, and never will. Those of us who lived there in the days following her disappearance; in the weeks after young Todd McEvers made that grisly discovery in the woods at the dead end of Larchdale Road; and in the three decades it’s taken to find the man responsible for her death. We’re finally ready to see justice, and hopefully get even more answers.

stefanie-winking

(Family photo)

 

 

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(Lost) Laurel TV?

lost-laurel-tv

 

If you like Lost Laurel and you like TV, boy are you in for a treat. Let’s hope so, anyway… Looks like we’re about to see how well I do presenting this stuff on the small screen!

I was recently approached by Laurel TV (the city’s public access channel that’s in the process of being completely revamped) about producing a series of half-hour shows based on Lost Laurel. This past Saturday, I had the pleasure of meeting Joyce Jackson, the station’s wonderful new Media Coordinator, and putting together a rough outline format.

Laurel TV whiteboard

Basically, it’ll be me on location in town introducing each week’s feature—a popular topic from the pages of Lost Laurel.  We’ll meet people who lived and worked in these places past who have relevant stories to tell; and we’ll show plenty of “then and now” photos as well as artifacts from the locations being covered. You’ll also see what some of these former businesses have become today.

We’re planning to start filming by the end of this month, and the episodes will eventually be available on YouTube, as well. So, you don’t have to actually live in Laurel to be able to see the show. (Which is good, since I don’t live there anymore, either!)

Now admittedly, my first thought when I heard “public access television” was Wayne’s World. As much fun as it would be to cruise around Laurel in a 1976 AMC Pacer, this will actually be more of a documentary-style show. ;)

I’ve obviously got some some ideas of what I’d like to cover, but I’m always interested to hear what you guys would like to see more of—so please leave a comment and let me know.

Stay tuned… This is going to be fun!

Endangered Main Street: Laurel Theatre / Petrucci’s

The old red building at 312 Main Street has sat empty and derelict for a few years now, and according to the City of Laurel—its new owners—it’s too far gone to be salvaged.

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(Photos: Richard Friend)

(Photos: Richard Friend)

After no other buyers came forward, The city bought the building for $250,000 and plans to demolish it and resell the property. According to multiple sources, the interior has a festering mold problem that’s at least as problematic as its many structural issues, and would require in excess of $2 million to save it. And given its recent history, there’s little hope of resurrecting it. The multiple comedy clubs that inhabited it since the Petrucci family sold its popular Dinner Theatre in 1992 never lived up to expectations, despite drawing some high-profile names in the early years—including Dave Chappelle and Richard Jeni.

Before I get into that, though, let’s take a look at the deeper history of this Main Street landmark.

Laurel Theatre, 1938

A postcard image from 1938. (Laurel Historical Society archives)

To date, these are the earliest photos I’ve come across. The Leader article mentioned that it had been built in 1935, but the 1934 film named on the marquee (You Belong to Me) disproves that:

(Laurel Historical Society archives)

(Laurel Historical Society archives)

In fact, according to the Laurel, Maryland Centennial Souvenir Historical Booklet, the Laurel Theatre opened on October 16, 1929 under Sidney B. Lust, and was built by C. Ernest Nichols. The first film shown was Noah’s Ark. It briefly closed in 1948 to undergo a renovation, at which point it reopened with The Mating of Millie. (Box Office magazine, September 4, 1948).

This 1962 Laurel Leader photo literally shows ‘em lined up around the block. (Notice, too, that there was a High’s Dairy where Pal Jack’s Pizza would soon be!)

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I’ve collected a few later (but still pretty darn early) programs from the theater, as has the Laurel Historical Society and collectors Peter and Martha (Kalbach) Lewnes. Here are a few:

1934 lobby card. (Peter and Martha (Kalbach) Lewnes collection)

1934 lobby card. (Peter and Martha (Kalbach) Lewnes collection)

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Program from 1939. (Lost Laurel collection)

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Program from 1941. (Lost Laurel collection)

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1942 program. (Peter and Martha (Kalbach) Lewnes collection)

1942 program. (Peter and Martha (Kalbach) Lewnes collection)

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Programs from 1959–61. (Laurel Historical Society archives)

Here, too, is an assortment of Laurel Leader newspaper ads through the years:

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And a poster:

Poster for The Omega Man, 1971. (Lost Laurel collection)

Poster for The Omega Man, 1971. (Lost Laurel collection)

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The theater was Laurel’s first and only movie house until the summer of 1966, when both Wineland’s Laurel Drive-In and Laurel Cinema opened at Laurel Shopping Center. The newer venues (and a minor fire in 1975) took their toll; and in 1976, the iconic Main Street theater called it quits.

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(Photo: Robert Marton)

(Photo: Robert Marton)

(Photo: Ralph Bull)

(Photo: Ralph Bull)

(Photo: Ralph Bull)

(Photo: Ralph Bull)

(Photo: Ralph Bull)

(Photo: Ralph Bull)

“Closed Forever” was a bold statement, and one that fortunately ended up not being entirely accurate.

That same year, Carlo Petrucci—who’d already bought the adjacent Pal Jack’s Pizza at 310 Main Street back in 1970—purchased the building. The sale was noted in the April 26, 1976 issue of Box Office magazine:

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The Petrucci family made a valiant attempt to keep the theater going, and did reopen it with the blockbuster Jaws. They announced it with this personalized ad in the Laurel Leader:

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But the family had more ambitious plans for the building, and in the spring of 1977 came the arrival of Petrucci’s restaurant.

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In less than a year, Petrucci’s was already experimenting with the idea of a full-fledged dinner theater—a concept never before tried in the area. And by the early 1980s, Petrucci’s Dinner Theatre was one of the indisputable highlights of Main Street.

(Laurel Leader ad)

(Laurel Leader ad)

Laurel Leader ad, July 27, 1978. (Lost Laurel colletion)

Laurel Leader ad, July 27, 1978. (Lost Laurel colletion)

1984 program. (Peter and Martha (Kalbach) Lewnes collection)

1984 program. (Peter and Martha (Kalbach) Lewnes collection)

Circa 1989. (Laurel Historical Society archives)

Circa 1989. (Laurel Historical Society archives)

But even for the successful Petrucci family, the good times only lasted for about 15 years. Shortly after closing, this quote appeared in the July 25, 1992 Washington Post:

“We realized that to stay open through the summer would have been an exercise in futility,” explains David Petrucci, the sole member of this family-owned operation who has not yet given up on the business.

Thus began the series of hybrid comedy clubs, including Art’s, the Comedy Connection, the Laurel Cinema Cafe, and most recently, The Jokes on Us (aptly named, perhaps).

A 1996 Comedy Connection window display. (Lost Laurel collection)

A 1996 Comedy Connection window display. (Lost Laurel collection)

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Comedy Connection payment folder, c.1990s. (Lost Laurel collection)

There’s a stunning series of photos on Flickr that show the interior of the building in 2011. While the photographer has given it a different name, this is definitely the interior of 312 Main Street. (It may have been an urban exploration shoot—at any rate, the shots are eerily fantastic).

(Photos: Flickr user tmdtheue)

(Photos: Flickr user tmdtheue)

So that brings us to today, where the old building stands—but likely for not much longer.

There’s already been some discussion on the Lost Laurel Facebook page, as well as other local social media sites about the future of the old theater. Complicating the matter is the fact that it sits right in the heart of the city’s own designated “Arts District”—which took another blow in 2012 with the closing of the Laurel Art Center (another building that remains vacant as of this writing).

Many have called upon the Laurel Historical Society to intervene and protect the building, and discussions are underway about possible options other than the inevitable empty lot if it is indeed demolished.

I’ve mentioned that it’s not at all uncommon in cases like this to salvage the façade of the building—just the recognizable front of it—restore it and incorporate that into a brand new, mixed-use building that pays homage to the past. But truth be told, the façade of the old Laurel Theatre was never particularly remarkable, unfortunately, despite its great sentimental value. This would also place significant limits on whatever is constructed behind it.

I have a better idea, albeit probably a farfetched one. Imagine for a moment that it was possible to completely rebuild the Laurel Theatre, just as it was when it first opened in 1929. Now, imagine if it was possible for the city to do it without incurring any cost to itself. (I told you it was farfetched, but bear with me…)

I see this as a chance for the city of Laurel to up their game and create something truly special; and if done properly, I think there’s actually a very good chance that people would help. Lots of people—and not just from Laurel.

They could create an online fundraiser via Kickstarter and/or Indiegogo, where they present the opportunity to not only save the town’s original theater, but to create a genuine, functional showpiece in the heart of the Arts District: a completely rebuilt Laurel Theatre in the 1929 style, but with modern amenities—which could also serve as a type of cultural center for any number of events. Frankly, I can’t think of a more effective way to revitalize Main Street as a whole.

Since it wouldn’t be a privately owned venture, something like this could also likely qualify for a grant from the National Endowment for the Arts, or similar organizations.

Clearly, the city doesn’t have $2 million to spend on remodeling the theater—even if they wanted to. The $250,000 purchase was an investment toward something—anything–other than the decaying structure that’s been sitting dormant all this time. But if they at least explored the possibility that a national/international fundraiser (plus grants) could actually yield a significant amount of money to do something really special, that’s worth talking about.

Just for comparison’s sake, let’s look at a more famous (or should I say, infamous) theater: Ford’s Theatre in Washington, DC.

When you visit Ford’s Theatre today, you probably assume it’s maintained its original appearance all these years, right? Not at all. With the exception of its outside walls, the entire theater is a complete reconstruction.

After the 1865 assassination of President Lincoln, the building understandably closed as a functioning theater. The government purchased it from John T. Ford, and promptly converted it into a three-story office building for the War Department, primarily. In 1893, the unthinkable happened: another tragedy. Load-bearing beams in the basement gave way under the excess weight, causing sections of all three floors above to completely collapse. In what must have been a horrific moment, 22 government employees were killed and at least another 65 were seriously injured.

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(Photo: NPS)

fords-1893-collapse-1

(Photo: NPS)

The building languished until the 1930s, when it was briefly used as a warehouse for the Department of the Interior before being turned over to the National Park Service as “The Lincoln Museum”—where only the first floor was open to the public. Then, in the 1950s, Congress approved a bill that would fund a complete restoration of Ford’s Theatre to its 1865 appearance. And in 1968, the famous theater opened once again as a historic landmark. These dramatic photos (found on the blog, BoothieBarn) show just how gutted it actually was.

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Granted, I’m not suggesting that the old Laurel Theatre is on par with a national treasure; but I wanted to show that it’s entirely possible to gut the interior of a historic building—or level it completely, if need be—and rebuild it to its original specifications. That’s something that should indeed be considered by the city of Laurel before deciding to sell the property—particularly if they can receive funds to do so.

On the much smaller end of the spectrum, take a look at some of the “save our theater” campaigns that actually are on Kickstarter at the moment. I recently pitched in for one near me in Fairfax, VA. The University Mall Theatres is in dire need of new seats, and has raised over $111,000 in a matter of days with their grassroots campaign. That’s a private business, too—the city of Laurel stands to qualify for considerably more if it goes the non-profit route. And as far as non-profit models go, there’s none better than Silver Spring’s AFI Silver Theatre.

The Silver Theatre in 1938 and 2003 (http://silverspringhistory.homestead.com/theatre.html)

The Silver Theatre in 1938 and 2003 (http://silverspringhistory.homestead.com/theatre.html)

It, too, was dangerously close to meeting the wrecking ball when both citizens and politicians stepped in and capitalized on the opportunity to create something remarkable. The non-profit theater and cultural center now hosts films, film festivals, musical events, and much more. It’s also available for private rentals, further increasing its revenue.

The dedication plaque that hangs in the lobby of the AFI Silver says it all—and could easily be applied to Laurel if you think about the similarities:

THROUGH THE TIRELESS EFFORTS OF
THE SILVER SPRING COMMUNITY, INCLUDING
ITS ELECTED OFFICIALS AND APPOINTED LEADERS,
THE PAST HAS BEEN PRESERVED FOR THE BENEFIT
OF THE FUTURE. AS A CORNERSTONE OF
A REVITALIZED DOWNTOWN, THE AFI SILVER
IS A CENTER OF CULTURAL AND EDUCATIONAL
EXPLORATION, UNITING THOSE WHO VISIT
THROUGH THE POWER OF THE MOVING IMAGE
 
APRIL 4, 2003
 
DOUGLAS M. DUNCAN
MONTGOMERY COUNTY EXECUTIVE
 
JEAN PICKER FIRSTENBERG
DIRECTOR AND CEO, AFI

***

So, the city of Laurel now owns the building at 312 Main Street, and has a very big decision to make in the coming weeks. Much like the doomed Laurel Centre Mall, anything they do with it will likely be an improvement over the past decade. But I hope the city planners will at least take a very careful look at this opportunity before selling the property outright. The elusive key to revitalizing Main Street and creating a legitimate Arts District centerpiece may actually be sitting in their hands as we speak.

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Matchbook, c.1950s. (Lost Laurel collection)

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Driving Through Laurel, 1973

Finding photos of vintage Laurel is tough enough, so you can imagine how special it is to find actual film footage. This wonderful clip was shared by Gary M. Smith, and it provides us with an all-too-brief glimpse of a decent portion of Laurel—captured on 8mm film from the passenger seat of a car driven by Milton J. Smith, Sr. in 1973.

It’s a classic 3-minute reel with some interruptions and jumpiness, but there are plenty of unmistakable landmarks throughout the drive. Now that I have the privilege of being your tour guide, here are a few sites to watch for:

  • We start out in North Laurel at the Beech Crest Estates Mobile Home park—the sign for which can be seen at 0:07. Several of the trailers and residents can be seen over the next 30 seconds.
  • At the 0:35 mark, we’re driving driving southbound on Washington Boulevard (Rt. 1), and we pass the California Inn, just north of Whiskey Bottom Rd.
  • Continuing southbound on Rt. 1, we see Sam & Elsie’s Bar at the 0:46 mark.
  • A billboard advertising the nearby Valencia Apartments appears at 0:53.
  • At 0:57, we cross the oft-flooded bridge over the Patuxent and see the Homoco gas station—the remnants of which were only recently torn down on the Fred Frederick automotive property.
  • At 1:02 (just after a bus—probably a Trailways—unfortunately blocks our view of Main Street) we pass White’s Texaco Station, and get just the faintest glimpse of the Little Tavern beside it.
  • The film skips forward a bit at 1:08, where we find ourselves at the intersection of Rt. 1 and Montgomery Street, and Floyd Lilly’s Laurel Amoco Super Service Station, which won a Chamber of Commerce award “for excellence in design, planning, and beautification”. (Imagine a gas station doing that…)
  • I’m not entirely sure, but at 1:16, we seem to be heading west on Talbott Avenue/Rt. 198 beside Donaldson Funeral Home.

  • At 1:47, we’re now on Main Street—heading west beside the infamous Laurel Hotel, with its distinctive stone facade and wooden porch.
  • Bob’s Cab appears just before we see the wooden front of Gayer’s Saddlery at 1:55.
  • The drive continues up to the end of Main Street, where we turn left onto 7th Street at (fittingly) the 2:16 mark. Here we pass St. Mary of the Mills church and cemetery.
  • At 2:37, there’s a brief glimpse of what is likely Laurel Municipal Swimming Pool, before the geography skips over to northbound Rt. 1 at the 2:38 mark—where we can clearly see the old 7-Eleven and Village Inn Pizza Parlor along Bowie Road.
  • Continuing northbound along Rt. 1, we pass the Exxon and Plain ‘n Fancy Donuts before getting a nice view of Safeway and Dart Drug, which sat just beside the railroad tracks and my old neighborhood of Steward Manor.

And that’s about where our drive through 1973 comes to an end, sadly. But any chance to step back in time—especially in a moving vehicle like this—is pretty amazing. I’ve found myself comparing the footage with Google Street Views of the same stretches of road today, just to see how much has changed… and how much has surprisingly stayed the same.

Many thanks again to Gary for sharing this footage! It’s also a reminder to everyone to check their own old home movies and family photo albums, as you never know what might turn up.

 

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Margaret Edmonston Yearbook, 1977

If you went to Laurel High School in the mid-1980s or beyond, you undoubtedly remember the building known simply as “The Annex”.

The Annex was, in fact, the former Margaret A. Edmonston Elementary—connected to Laurel High with a non-insulated blue corrugated steel walkway that was both sweltering in the summer and freezing in winter. Annexed in 1983, it served LHS for the next 25 years.

The old building is now gone, replaced in 2010 by a $28-million state of the art facility containing an 800-seat auditorium, a black-box theater, rehearsal rooms for band, a chorus room, a dance room, as well as several classrooms and offices. It’s also a dramatic architectural upgrade that the school sorely needed.

But before all of that, it was indeed an elementary school—one in which thousands of young Laurelites began their academic careers. Dave Baker, who now lives in Tennessee, was one of them. And he was kind enough to scan and send me this wonderful set of images from something I never realized even existed: a Margaret Edmonston yearbook from 1977.

As Dave says:

“Sadly, most little yearbooks like this were discarded by most of the kids that bought them. My 80-year-old mother had the foresight to keep this in her cedar chest.”

There are likely several Lost Laurel readers who will find themselves, their friends, family members, and favorite teachers within these pages. (Click on each image to view at full size). The book also includes at least one youngster you might’ve seen on TV in more recent years—actor Mike Shaffrey was in Mrs. Edwards’ 6th grade class.

Edmonston Page 1Edmonston Page 2Edmonston Page 3Edmonston Page 4Edmonston Page 5Edmonston Page 6 Edmonston Page 7Edmonston Page 8Edmonston Page 9 Edmonston Page 10Edmonston Page 11Edmonston Page 12 Edmonston Page 13Edmonston Page 14Edmonston Page 15

Scans courtesy of Dave Baker

 

 

 

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